Editor: Jaap Horst
Suppose in the early fiftyís, when no-one has any interest in old fast cars, you have a passion for fast cars of class out of the thirtyís and fortyís and you can buy these cars for little money. You are just twenty years of age and you like to drive these cars very fast in the environment . Obviously after a while the car breaks mechanically down and than you park the car in the neighbourhood of your house and you buy for a bargain another fancy care an the history repeats. In 1958 you have about twenty cars (among them 7 Bugattis) and they are all standing in the neighbourhood of your house. People think, that you are not healthy in mind, than no-one at that time could presume, that these cars would be worth a fortune after 30 years. The police of Paris obliges you to put every night a red light on each of your cars for safety and thatís why you walk every night through the dark streets of Paris. Selling the cars makes no sense. No-one has any interest at that time. In 1958 you hire a shed at a famous racing-circuit, Monthlery, somewhat north of Paris. You put your cars there in hope to establish a museum with your cars. Again every-one laughs at you, because there is no interest at all for these cars. In fact you are not a collector in the sense of the word, but itís hard for you to separate from the cars of which every single one carries a memory for you. In 1964, when there is still no interest at all for such a museum you buy a farm, build in the 19. century, in Villemarechal; a sleepy village in about 100 kilometres south of Paris. The place is surrounded by walls and there are many sheds so that you can station all your cars secretly.
Rust canít have almost any influence on the cars. Dust and dirt can. In this way you live almost twenty years in peace with you memories as an in your profession meanwhile famous and respected man and because you still love fast an extravagant cars and still are fond of driving them fast in the neighbourhood, your collection grows and grows. Meanwhile people have discovered, that these kind of cars are valuable, but that is of no interest for you. You bought them cheap and now there is no necessity to sell them. They are your memories. In the fiftyís and sixtyís they didnít want them, now the donít get them. In the meantime the cars get under a thick level of dirt and dust. Itís your secret, the cars are your memories and thatís the way it should stay. You donít harm anyone.
Than suddenly a friend of yours brings along a German photographer in 1983. This guy has no other wish than to make a photo session of your collection. He keeps nagging and at last you give your permission for the small amount of 2000 German Marks. You sign a consent and you ask the German kindly not to take photographs of the house or the walls nor to mention your name or the name of the village. The photographer promises this and for three days he and his team are busy taking photos. When the session is finished you open a couple of bottles wine to toast at the happy ending. You have been hospitable and your guests seem to have appreciated that. How dull can a man be. A few months later the first articles appear in American magazines, but the summit is an article in august 1983 in the German magazine ďder SternĒ in which they accuse you in being a reserved, stubborn, odd person and someone without any feeling for the value of the cars. You neglect your cars and your home. Your collection is called sirensí graveyard and the condition of the cars is signed out by photographic skill more badly than the reality is. And most of all the article tells your age, your profession, the country were you are born (Switzerland), the kind of farm in which you live and the fact, that you live in about 100 kilometres south of Paris. Because you are in your profession in the meantime an international authority, itís no problem to trace you. Itís practically the same as if they had told your name and address.
Your collection has meanwhile very famous and expensive brands: 9 Bugattis, 2 Cords and the marks Lotus, Alfa Romeo, Rolls Royce, Bentley, Lincoln Continental, Ferrari, Jowett Jupiter, Jaguar and other distinctive marks. As a result of that you are visited by all kinds of buyers, who think they can buy a exclusive car for little money. As they find out, that you are not willing to sell any car they call you names and the insult you. With shoppers the fly over your once so quiet farmyard. There are thieves climbing your walls. Even a front axe is removed from a Bugatti Atalante with a welding machine. You have had it and furiously you phone the German photographer, who thinks he isnít to blame and hard words are spoken. At last you decide in 1984 to remove the whole collection to chateau de Folmont in Bagat near Bergerac, 500 kilometres away.
You pay the transporter with an eight cylinder Jaguar E-type and a blue Ferrari 250 GTE. In 1986 the German Photographer has the guts to publish a book about the collection with a German text-writer. But they have learned their lessons, because they call you Pierre and they write more friendly. But evil has been done and half the world knows, who you are.
In 1988 you reconsider the idea of a museum, when Thierry Giovannoni ask you to lend him some care to establish a museum. Not an ordinary museum, but a museum where you can see the cars in a natural contour. Thierry selects with care 26 of your memories. In 1989 this very special museum opens its doors and there is much interest and fascination, but among the visitors there are people too, who condemn you and think that they have the right to an opinion. At last Ė in January 1991 Ė not able to fight the preconceived opinion anymore, you decide with pain in your heart to sell the whole collection; the cars in the museum and the cars back in the chateau and to close the museum. Money and double morality have won. Thierry Giovannoni does the selling. So far the story of Michel Dovaz.
In fact a very sad story. A story about people who think itís acceptable to judge other people and to condemn their way of acting. A story about an unique collection in which the owner realizes a plan from long time ago to establish a museum, but after less than one and a half year has to close it, because he canít handle the accusations and the hurting anymore. A story in which one human being thinks he has the right to tell the other what is wrong and right.
And a story in which easily to awake emotions are used to make big money. We donít know how the photos were made back in the eightyís. They show cars in state of total destruction. And with these kind of photos the German photographer intends to publish a new book. And again there will be many emotions an probably there will be again many people condemning Michel Dovaz. And again that will be not right. Michel bought the cars mostly back in the fiftyís, when they were worth almost nothing and saved them from an almost certain destruction or demolition. Without him we would have lost those very beautiful an valuable cars. Now almost all have been restored, except of ten. They are at the moment at a castle from a friend of Dovaz. We have seen them, touched them, made photos and filmed them. They are unrestored in a pretty good shape. A much better shape than the photos of Hesselmann 24 years ago made believe. Judge for yourself.
The book of the Germans will be in the bookshops in October this year. A few months later we will bring out our book with in it the true story. A very inspiriting story. But most of all a story, that rehabilitates the man who brought together this unique collection and saved the cars from destruction. Michel earns respect and we will give that to hem.
Some of the Bugattis from the collection:
Bugatti T57 Ventoux - BugattiT57 Fontana and T44 Fiacre
Chassis 57476 Musee DeSarlat 1989 - Chassis Nos: 57286-50131-50113